By Richard P. Heitzenrater

Faces are greater than a montage of organs that see, breathe, converse, pay attention, devour, sing, odor, and yell. As Josephine Tey issues out in her secret novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the glance of the attention, the firmness of a chin, frequently gives you facts of personality that's as telling as a document card or a police blotter. these gains depicted on graphics of people might be both telling of the person’s internal nature or maybe of what the artist thinks (or desires the viewer to imagine) concerning the individual being portrayed. occasionally a portrait will be much more necessary than a biography.

While reading those pics, the writer considers 3 questions: what used to be Wesley’s perspective towards the portrait (if any), how did the general public reply to those portrayals, and what was once the artist trying to show? This publication specializes in the most images and their derivatives, them in the 3 major different types that built through the years: Oxford don, Methodist preacher, and awesome individual. even if those varieties looked as if it would come up in chronological order, there's a few overlap among different types, specially towards the top of Wesley’s lifestyles and beyond.

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An Exact Likeness: The Portraits of John Wesley by Richard P. Heitzenrater

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